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JoSH, based in Canada has received international acclaim after releasing 3 chart-topping albums and has been producing, writing, and singing hit songs for over a decade and have performed in over 25 countries. Their different influences and unique ideas blend to give JoSH’s music that fresh sound which you can hear in every single song. With collaborations with international artists such as Nelly Furtado, Sukhbir, Apache Indian, Jas become the most widely recognized Indo-Canadian band on the globe.

Official Facebook Event Page

For More Information on the Festival

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Javed Bashir – Aj Latha Naeeo (Extended Version)

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In the middle of Nowhere, Michigan shooting for my first Hollywood cameo. Big set! Horror film called Jinn.

So, for now we can only imagine how this JoSHila person would look in a horror film and only time will tell if  he will be able to scare us with some JoSH.

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Recorded an absolutely beautiful track called Meri Dua. the album is sounding Bharrri Hot (also the name of another track)

This is going to be fourth studio album by the band after “Main Hoon Tanha”, “Kabhi” and “Mausam”.

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Given the nature of the current socio-political climate, venues, musicians and organisers are wary of what to expect at a concert. Likewise, the people themselves also share a sense of cautiousness when going out and about. Thankfully, that wasn’t the mood when JoSH, Aunty Disco Project and 90 Degrees performed recently at the Royale Rodale in Karachi.

The concert kicked off with 90 Degrees. Though a relatively unknown band, the members of the group should be commended for performing whilst the organisers were still trying to work out the sound check. This didn’t bode well for 90 Degree’s performance as the sound was all over the place during its performance. However, the band deserved an A for effort as not that many bands can pull off a decent cover of Sajjad Ali’s songs (including Sajjad Ali’s own cover of Didi by Khaled, Babiya).

Also, it wasn’t just the sound check that wasn’t in favor of 90 Degrees, crowds gathered slowly at their own time at the same time being completely oblivious to the band’s performance. As for the performance itself, keeping the sound check snafu aside, 90 Degrees does show potential and promise. All it needs is persistence and better opportunities to perform.

Aunty Disco Project was up next. To say that the band has had an eventful year is an understatement. After the departure of Imran Lodhi in 2008, the band parted ways with drummer Omar Khalid (amicably) recently but at the same time, the band gained three new members and a drastic new approach to music. Rahayl Sidikey, Ali Alam and most recently their new drummer Giles Goveas are all part of the band and their contributions/sound does leave a distinct departure from the ADP people knew. The once-hardcore underground band with its own unique purist sound was now easing up to sound of commercialism — albeit on its own terms.

ADP kicked off the show with its magnum opus, Sultanat. A song that has evolved as the band has, however, it remains their signature tune and a distinct crowd favourite. Likhta Nahin Mein and Raat Jaga were next, both songs in a rather quick succession. The sound reflected a much hungrier ADP eager to have the crowd’s attention no matter what. Finally, just when the pace was set high, ADP pulled back a notch for the slow and melancholy song that is Nazar.

Things picked up again with Jaane Wale and Hum Na Rahein by now the crowd was really getting into the performance. A particular note to Jaane Wale, a song from its upcoming album that showcased a much more upbeat approach to music if compared to the likes of Sultanat and Nazar, even though most of the songs were already quite upbeat from before. Coalescing around the stage, ADP certainly had their attention.

The band closed its set with Mujhe Sahara Do, another oldie that had been revamped. The band that performed that night was most certainly a brand new ADP and if this gig is an example, or taste if you will, of things to be expected from their new album, then it is definitely an album to watch out for.

Finally, we come to the headliners, JoSH. Roop and Q have graced the shores of this coastal city quite often. They were part of the recent Coke Studio and have always had memorable gigs here. This show appeared no less, the moment JoSH took stage there was a surge in the crowd. Everybody who hadn’t joined in whilst 90 Degrees or ADP performed, came rushing forward to greet the band onstage. It wasn’t just their musical performances that had the crowd going, their interaction with the crowd was on another level entirely. Roop and Q both took turns speaking/interacting with the crowd, so much so to have a playful competition between the two of them, just to see who would get the crowd worked up better. JoSH performed Kabhi Kabhi, Mausam, Sauda, Mahi Ve, Khaike Paan Banaras Wala and a host of other songs. However, a particularly touching moment occurred in the concert when Q took a moment to reflect that he was in fact performing in a very special city; his birthplace. He also dedicated the concert to his mother, who was also present backstage.

Finally, the night was complete. The organisers of the show, Studio Maxx Presentations and a popular watch manufacturer, had managed the show reasonably. The security was excessive but not overbearing. The concert wasn’t on time, but it wasn’t drastically late either.

A pleasant gig with some great performances, a couple more of these and the Karachi concert scene will be right back on track.

Source: Dawn | Images

By Omar Bilal Akhtar (Oba)

Josh Naal Paa Bhangra

So we opened for JoSH this past weekend….

The show was at Royal Rodale, which is thankfully pretty close to where I live, so I was relieved that it wasn’t a major trek. The boys and I were pretty pumped about the show, Yasir and Rahail got to my place early and even managed to squeeze in a game of cricket that got far too sweaty. Well basically it was Yasir and me playing while Rahail and Aamir sat on the side and made hurtful comments.

The problem with having a gig closeby is that you tend to relax about the things you carry, when we finally got to the venue, we realized we were missing a bunch of things. Luckily Ali Alam was able to get them. He had yet to arrive because he travels separately… on a white horse… flanked by nubile women…with palm leaves…feeding him Skittles.

The stage setup looked fantastic, it was about 10 feet high surrounded by this massive iron rig. Ishtiaq Bhai of Shadab Sound was doing our sound today, it was the first time I had worked with him, we had been going with Audiolink for the longest time, so I was looking forward to the change. The soundcheck was pretty painless and it sounded really good, so we were really enthused about performing.

However, there was a really strange vibe going around. We were getting stared at like we were aliens. I think we were generally a little put off because the Royal Rodale management and their security people were being dickish. We kept walking up and down, transporting our things and we walked through the check points enough times for them to know who we were. And we got stopped at every point along the way with people asking us if we had a ticket or a pass. Now we’re not the kind of band that makes a big deal out of things like this, its fine if people don’t know who we are. But unless you have employed a bunch of goldfish as your security, you’d think that they would remember us from the 5 times we passed by them. I know we’re not the most famous band in Pakistan but it seems to me, that if you paid us money to come perform at your concert, you’d know who the fuck we were.

As performers, we had the privelege of getting 10 free tickets for the entire band to give out, while it wasn’t a lot, we didn’t ask for anymore. I took our guest list down to the ticketing counter and tried to explain to the ticketing guys that they needed to let those people in. I was confronted by the ‘head organizer’ who fixed me with a “who the fuck are you” glare, clearly meant to intimidate. I calmly tried to explain that I was Omar from ADP and I had a guest list that needed to be taken care of. He in turn glared back and claimed that the guest list hadn’t been discussed with him. I said that my manager had spoken to the organizers and they said it was fine. A tense standoff happened before he finally said fine. By this time I was seething.

The guys started getting irritated as this needless harassment. Things got ugly when we walked out of the gate holding water bottles that the organizers had provided us. The guards saw us walking out with those bottles. When we tried to re-enter, they informed us we couldn’t bring the bottles back in. No amount of reasoning could convince them that these were in fact water bottles that came from Royal Rodale. Again, I chose to tell the guys to chill out, and ignore it, but we were all just livid.

The opening act 90 Degrees were performing, we got a couple of their songs. We knew that the crowd hadn’t really arrived yet, so we decided to go back to my place where we could relax for awhile and I could change into my sexy performance clothes.

The moment we got to my place, the organizers started calling us back, telling us the concert had a midnight deadline and we needed to get on stage now. I was afraid that this was going to happen, which is why I was glad that we weren’t there, being subjected to needless pressure. We told them to wait, we’d be there in ten minutes. I was trying really hard to not let the bad vibes get to the guys, I think it helped that we were all together in once car, so we kept our spirits up.

Once we got in, there was a pretty sizeable crowd and there was an RJ on stage trying to buy time because Aunty Disco Project were late. I didn’t see what the massive fuss was, we had barely been gone for 15 minutes and we were going to start the show at 9:40, which was a pretty decent time to start.

We took the stage and I was amused by a row of extremely buff bouncers at the foot of the stage dressed in fatigues ( no jokes!) and combat boots. It looked like the A-Team was the night’s security. They were doing their best to intimidate the front row which mostly consisted of screaming teenage girls. I asked the crowd to come closer and not be afraid of the bouncer guys and cracked a few jokes at their expense. Judging by the look that one of the dudes gave me, I was pretty sure that he was going to rape me after the show.

We started with Sultanat, and the crowd surged forward and started cheering and headbanging. It was magnificent! everyone knew the words and were singing along and it warmed my heart to see boys and girls dancing and just genuinely enjoying themselves. We played all original material for the first time, including our new versions of “Likhta Nahin Mein” and “Raat Jaagi”. “Nazar” was a crowd favourite and we also played “Jaaney Vaaley’, one of the newer tracks. We were all set to perform 4 more songs when we were told by the organizers to cut our set short. I was in no mood to fight especially since we were having such a good time on stage, so we just went straight into “Hum Na Rahey’ and “Mujhey Sahara Do” as a finale.

We got off the stage to thunderous applause and people asking for more, I knew the set had been too short but at least we put on a good show, and thats all you can really ask for.

We briefly met JoSH backstage while we were left the stage. They seemed nice and really polite. Before he got on, Q turned to Yasir and asked “Crowd mein bachiyaan bhee hain, yaa sirf launday?” (Are there any chicks in the crowd or are there just desperate dudes?). I was most amused.

As we went downstairs to put our equipment away, we had mixed emotions about the show. Our performance itself was great but just the general atmosphere had been kinda hostile. Rahail and Giles left immediately, Ali, Yasir and I decided to stick around for JoSH.

While we were coming back up, security decided to stop us again and this time I lost my temper and accused the guards of simply trying to humiliate us. People were watching so I went upstairs without causing too much of a scene, but still seething….I went back down when I was leaving and decided to give them a peace of my mind. I started off trying to politely reason with the Royal Rodale management, but they seemed to be on some massive power trip and started yelling back at me. That was when I lost it a second time and I accused them of getting their kicks stopping and harassing people for no reason. I’ve tried to have a really clean record when dealing with people and the last thing I want to be accused of is diva-esque behaviour. But this was beyond what I could handle and I caused a scene. My friends stepped in to defuse the situation and then I finally left after an admittedly self righteous rant about Pakistan and our society and how we lack common decency (heck I don’t even know what I was on about, I’d like to think I was quite eloquent)

I have to say I was a little dissappointed by the fact that JoSH were relying on pre-recorded backing tracks while singing live for the concert. I suppose it makes logistical sense since they’re coming from Canada and probably dont have time to rehearse with a live band. But it just tones down the live energy of a show. Anyway, the songs were good, and the crowd seemed to be enjoying themselves which is always good to see. JoSH finished at around 11:20, well before midnight, so telling us to cut our setlist short for them was basically a load of shit.

It was a day that should have been great for us, but all the hostility and gotten to us and we were exhausted by the constant defensive mentality we had to keep up. But on the plus side, the concert was well organized, without technical issues and the organizers got it right for the most part. Somethings could have been handled better, but at least our crowd enjoyed the show and I’d like to think we gave them their moneys worth.

Aaah well, till the next time then…

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VIDEO STILLS:

Photography by Amna Hakim

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Downloads:

Bhangra Pa Laiye
Dholi Dhol Baja Zara
It’S A Mismatch
It’S A Mismatch – Remix
Jaan Hai Tum Se
Nasha Hi Nash

More by Josh

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The statistics and analysis are our own and must not be used anywhere else without prior permission. They do not represent the original statistics of the Coke Studio by the Cokestudio.com.pk

Episode One “Individuality”:

• Atif Aslam – Jal Pari – (244 Votes & 6,115 Downloads)
• Noori & Saieen Zahoor – Aik Alif – (137 Votes & 3,782 Downloads)
• Zeb & Haniya – Paimona – (68 Votes & 2,914 Downloads)
• Javed Bashir – Aj Latha Naeeo – (66 Votes & 1970 Downloads)
• Shafqat Amanat Ali – Khamaaj – (48 Votes & 2,667 Downloads)

Comment:

Atif being the most commercial singer, got most downloads and votes. Noori, Zeb & Haniya being the best performers stayed in the middle with respect to both votes and downloads. Extremely great performances by both the artists. Noori presented another side of Noori with Saieen Zahoor which we yet had to explore and Zeb & Haniya beautified Paimona even more with the help of other wonderful musicians. Javed Bashir did remarkably good but the performance being completely classical couldn’t get attention of everyone even though it was appreciated. Shafqat Amanat Ali couldn’t impress anyone much with his performance.

Episode Two “Harmony”:

• Atif & Riaz Ali Khan – Kinara (106 Votes & 1,735 Downloads)
• Ali Zafar & Baqir Abbas – Dastaan-e-Ishq (77 Votes & 981 Downloads)
• Saieen Zahoor – Toomba (42 Votes & 1,016 Downloads)
• Shafqat Amanat Ali – Aankhon Kay Sagar (37 Votes & 882 Downloads)
• Josh – Jaanay Do (15 Votes & 930 Downloads)

Comment:

Atif again stayed at the top with fan following from all over the Pakistan, India, Arab Emirates, USA etc. Ali Zafar and Saieen Zahoor stayed in the middle with best performances. The reason why I loved Coke Studio more than ever is that the artists explored their powers to perform. Ali Zafar keeping pop aside presented us his soulful voice deep enough to drown. Shafqat Amanat Ali was again a disappointment and did Josh even deserve a spot?

Episode Three “Equality”:

• Atif Aslam – Wasta-e-Pyaar Da – (156 Votes, 1,743 Downloads)
• Ali Zafar – Yaar Daddi – (118 Votes, 1,566 Downloads)
• Noori feat Rakae Jamil – Jo Meray – (67 Votes, 995 Downloads)
• Zeb & Haniya & Javed Bashir – Chal Diye – (59 Votes, 1,107 Downloads)
• Josh – Bari Barsi – (26 Votes, 857 Downloads)

Comment:

Atif again topped the charts. Wasta-e-Pyar Da is one of the best compositions of Atif even though his billy jeans wasn’t appreciated much but with the huge fan following he still managed to get most votes. Ali Zafar and Noori stayed in the middle being the best performances. Zeb and Haniya did an above average performances and Javed Bashir made it out of the box. Josh?

Episode Four “Spirit”:

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